Face Fuckery

What is Face Fuckery? 

“The art of purposely defying the expectations of painting faces.”

Intro

This is Face Fuckery!

Yes, you heard that right and yes, fuckery is one of my favorite words for describing the unbridled freedom and layering goodness of this workshop. (ok and yes fuck is also one of my favorite words for everything else too, lol)

What is Face Fuckery? 

“The art of purposely defying the expectations of painting faces.”

If you can scribble, slap around paint, think outside of the box, love mixed-media, work in layers and have fucked up a perfectly good painting at some point in your life…This is the must have workshop for you!

In this workshop I am going to teach you how to:

Confidently break the rules while still loosely  teaching basic facial structure and expression.

Celebrate your willingness to take bold risks that push beyond expectations because who YOU are as an artist is WAY MORE IMPORTANT to tap into than you may think.

Use ALL those fun art supplies you have hoarded in your creative space. This is my Favorite part! YAY!!

And I am also going to share with you my secrets for SUCCESSFUL mixed media art. Just a few of my tips may just change the full spectrum of the art you're doing.

Intro

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Supplies

Supplies

Charcoal 

Charcoal can produce lines that are very light or intensely black, while being hard to remove completely. The dry medium can be applied to almost any surface from smooth to very coarse. Fixatives are often used with charcoal drawings to solidify the position to prevent erasing or rubbing off of charcoal dusts but since we are layering it with acrylics we won’t  need to worry about its impermanence too much.

One neat feature with charcoal is that you can turn the sticks around to get many different styles and line widths, so the pencils are totally optional and many artists prefer sticks. Softer charcoal is easier to work with because it spreads and blends easily, giving you nice, smooth coverage much like oil paint.

Charcoal is great for drawing, sketching, or smudging, a charcoal pencil offers a familiar feel and provides you with a lot of control over your marks. Even in this more structured form, it can be manipulated to create an array of rich and dark tones, as well as thin lines and bold ones

Types of charcoal

Vine charcoal is a long and thin charcoal stick that is the result of burning grape vines in a kiln without air.

Willow charcoal is a long and thin charcoal stick that is the result of burning willow sticks in a kiln without air. It is darker in color than vine charcoal. 

Peel & Sketch Charcoal Pencils really good option for people who do not like the dirty feel of charcoal on their fingers.

General Pencil's Jumbo Compressed Charcoal this is what you will see me using. I have a heavy hand and these are a bit sturdier.

Liquid Charcoal is the consistency of oil paint and allows you to achieve values from very light, to a rich, deep black.

Soho Urban Artist Jumbo Kids Sidewalk Chalk

Art Graf Tailors chalk

Acrylic Paint: This is such a personal preference. There are no bad colors so I want you to start by choosing 3-5 of your most favorite colors + white. You are driving this fuckery train so you can change your mind or add as many new colors into the mix anytime you want, however choosing just a couple to start always makes the creative process easier at the beginning.nFor reference I am sharing the colors I chose to use in my pieces.

Titanium White heavy body

Nickel Azo Yellow heavy body

Light Phthalo Green heavy body

Holbein Luminous Violet heavy body

Acrylic inks:

What is acrylic ink? It is a coloring medium that is water-resistant and dries quickly. It comes in different colors and shades - iridescent, metallic, and fluorescent. The three different formulas of acrylic inks are transparent, opaque, and semi-opaque. They are usually runny and very different from acrylic paint, which is opaque and thick. Acrylic ink doesn’t smudge, bleed, or fade, and it dries quickly.

Walnut ink: Walnut ink is an ink made from the green husk surrounding the nut of walnuts.

Ranger Wendy Vecchi Designer Series Archival Ink Pad, Watering Can

Colored Pencils:

CRETACOLOR MegaColor Colored Pencils Cretacolor Mega Colored Pencils have extra-thick 6.4 mm cores for making broad strokes. The cores have a slightly waxy formulation that feels soft when applied and lays down rich color— excellent for blending and layering. These are the most exciting new-to-me products I have found in a long time!  

Any and all colored pencil brands are welcome!

Collage, ephemera, stickers, etc:

Come one and come all! This is where your personal flair and style SHINES! 

Gel Pens

Brushes

I like using a range of brushes as I work. Use what you have. Do not buy anything. That said, I suggest a couple bigger brushes, like 1-1.5” and some medium brushes. I switched between flat and round brushes as I worked.

Spray varnish (Optional)

Resource Links for this Lesson

Shoppable Supplies List

Supplies Overview

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Prepping the surface

Gesso

• Sandpaper (I actually took all the gessoed surfaces outside and used a hand sander to really jack them up, lol! The sander allowed me to really round and soften the cut edges of the wood and I had patchy sanded areas I really liked!

Substrates you might want to experiment with.

Wood

Canvas

Boxes/cardboard

Hardcover Book covers

Surface Prep

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Here we go!

Here we go! Don’t fear the blank canvas, JUST DO IT!

It's all about layers! Layers allow artists to strategically or even accidentally build stronger compositions and take creative risks. I refer to “risk” as that voice inside your head that intuitively guides you in your art and informs those “what if I…” moments. Too many creatives find themselves paralyzed in their process

Work in Multiples: I strongly recommend working on multiple surfaces at one time. Working on several pieces allows you to move quickly and impedes the natural inclination to hyperfocus and get tight. You are going to find that as we work you will have a favorite and a least favorite. These will constantly be evolving and before you know it your least favorite becomes your most favorite because you are more willing to take risks on the ones you don't love. This has become a game changer in my own work and has helped me build my creative confidence and strengthened my ability to switch between different media as I work.

Make Space: Clear your space so that you can comfortably accommodate the size and area needed to work on several pieces at one time.

Charcoal Sketch

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Mapping in the First Layers

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Building Up More Layers

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Collage

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Inks

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Keep Going!

Pastels

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Rub-Ons

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Gel Pens

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Finishing Touches

I chose to spray a finishing spray varnish on to the final works. I wanted t make sure that the layers of charcoal and soluable media did not get damaged in handling and it is also a great way to even out the visual appearance of the work as a whole.

Ideas for Finishing

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books + inspiration

I love books! LOVE THEM

I wanted to also provide you with a list of some of my favorite books that inspire and challenge me to think about faces in different "outside of the box" ways.

WHat I love most is that art is so interpretive and without boundaries and these books really reinforce many of those ideas. ♥️

*Note: I am listing the De Kooning: A Retrospective, but I did not pay that crazy price, lol.

Our Learning Community

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